THE SHELF LIFE OF BEING

Ian Carlo Jaucian

Ian Carlo Jaucian’s sarcastic use of technology for crafting art objects is greatly misinformed by a selective appreciation of Science. Having no formal training in the said field, he considers his own artistic trajectory as a testament to how access to technology has reached a point where it can be an emancipatory tool against the restraints of corporate design.  Jaucian challenges the audience to poke his practice enough times with an existential stick and to get from it the idea that normal people have the ability to design their own world. 

Jaucian’s installation contains objects that express his struggle with time and space, simulation and reality. For taxonomic purposes, Jaucian prefers to be classified as Homo Ludens, not Homo Sapiens.

Ian Carlo Jaucian, Untitled, 2021, Installation

 

Ian Carlo Jaucian (b.1986) began his peculiar art career in 2008, when he started juggling a life of cultural management, education, and art production. He worked for a university museum longer than the time it took him to earn his bachelor’s degree in painting, subsequently taking a break from art management to actively pursue personal art exhibitions and residencies locally and abroad. After a brief but impactful period of creative self-indulgence, Jaucian again found himself managing art under a commercial gallery where he was simultaneously represented as an artist and employed as staff. The threads of fate certainly entangle as Jaucian has since been short-listed thrice for a yearly national art award which he helped facilitate during his first museum job, wherein two of the three awards he didn’t win were for exhibitions held in the aforementioned commercial gallery, which happens to have been, at the time, located in the exact same space where the gallery (MONO8) hosting the exhibition this bio was written for (and you are currently reading!) is currently located at. Jaucian now works in an art museum within an educational conglomerate that is locally known as ‘the’ rival of the university where he first worked in.

Ian Carlo Jaucian, The Observer

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